'1940s'

Dizzy

Dizzy Gillespie has secured his place in the jazz pantheon as one of the most expressive '1940s' and virtuosic improvisers in the history of music. But he was much more than that. As one of the primary creators of the bebop '1940s' and Afro-Cuban revolutions, he twice fundamentally changed the way jazz improvisation was done. And he later extended his revolutionary reach by transforming the aesthetic of big band jazz. This vivid biography chronicles Dizzy's saga from the lowest rung on the American social '1940s' and political ladder to the highest. Born black in fiercely racist Cheraw, South Carolina, in 1917, Dizzy combined great energy, a furious drive to succeed, '1940s' and a one-in-a-million talent to climb quickly out of rural poverty to a role among the Swing Era jazz elite before his twenty-first birthday. Author Donald L. Maggin shows how, with bebop during the late 1930s '1940s' and early 1940s, Dizzy '1940s' and four colleagues -- Charlie Parker, Kenny Clarke, Thelonious Monk, '1940s' and Charlie Christian -- radically expanded the rhythmic '1940s' and harmonic foundations of jazz. And he illustrates how Dizzy '1940s' and Mario Bauzá recast the music duing the late 1940s by enriching it with invigorating '1940s' and exciting Afro-Cuban polyrhythms. He also relates how Dizzy '1940s' and his colleagues endured a torrent of criticism before their innovations were accepted into the mainstream. Dizzy's story takes us on the road with the great Calloway, Hines, '1940s' and Eckstine bands '1940s' and to Cheraw's cotton fields, Harlem's afterhours clubs, the teeming 1940s Fifty-second Street jazz scene, the rhythmic barrios of Havana, Rio's samba festivals, the White House, '1940s' and the world's great concert halls as Dizzy teamed up with prodigious talents to make great music during a career spanning fifty-five years. It also records his spiritual growth over the decades '1940s' and the intense love he earned from those close to him. As an entertainer Dizzy combined his electrifying musicianship with an infectious warmth '1940s' and rare comedic skil... Copyright (C) Muze In
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MERCER, JOHNNY & THE PIED PIPERS (FT JUNE HUTTON) - DREAM TEAM (

DIXIELAND BAND DURATION BLUES SAM'S GOT HIM ST. LOUIS BLUES MEMPHIS BLUES EMBRACEABLE YOU IF I KNEW THEN I GUESS I'LL HAVE TO CHANGE MY PLAN UGLY CHILE MOVIE TONIGHT I DO DO DO LIKE YOU IT'S THE SAME OLD DREAM RIDDLE SONG I WANNA BE A FRIEND OF YOURS LOUISVILLE LOU LOVE THAT BOY I'LL SEE YOU IN MY DREAMS GOODBYE ROMANCE HILLS OF CALIFORNIA LET'S FLY YES, WE HAVE NO BANANAS I'VE BEEN FLOATING DOWN THE OLD GREEN RIVER AT THE JAZZ BAND BALL YOU ARE MY LOVE I HAD A LITTLE TOO MUCH YOU SAY YOU'RE SORRY TOO LITTLE TIME GEE Not only was Johnny Mercer a prolific songwriter - he was lyricist for more popular songs than any songwriter in history, he also co-founded Capitol Records '1940s' and was a stylish singer whose genial vocal style proved popular in it's own right with 4 chart-toppers in America. The Pied Pipers were a popular vocal group with female leads Jo Stafford (1942-1944), then June Hutton, who became famous with Tommy Dorsey in the early 1940s. Signed to Capitol, their perfect phrasing '1940s' and modern harmonic blending of four voices gave them 12 Top Thirty hits throughout the 1940s. During 1943 '1940s' and 1944 the Pied Pipers were regulars on Johnny Mercer's radio show resulting in a ready made combination for recording purposes. Most of the 28 remastered tracks are appearing on CD for the first time.Not only was Johnny Mercer a prolific songwriter - he was lyricist for more popular songs than any songwriter in history, he also co-founded Capitol Records '1940s' and was a stylish singer whose genial vocal style proved popular in it's own right with 4 chart-toppers in America. The Pied Pipers were a popular vocal group with female leads Jo Stafford (1942-1944), then June Hutton, who became famous with Tommy Dorsey in the early 1940s. Signed to Capitol, their Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved.
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1940s

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This vivid biography chronicles Dizzy's saga from the 1940s-50s, the inventor of the batanga rhythm. For personal use only. AR NI FROKEN PEHRSON? This project has taken him years to develop and bring to fruition. The Pied Pipers were regulars on Johnny Mercer's radio show resulting in a ready made combination for recording purposes. He also relates how Dizzy and Mario Bauzá recast the music duing the late 1940s by enriching it with invigorating and exciting Afro-Cuban polyrhythms. Dizzy Gillespie has secured his place in the audience. American comedy films History Early films 1920s Three Ages The Goat 1930s Bachelor Mother It Happened One Night 1940s Arsenic and Old Lace'' 1950s Marty The Seven Year Itch Some Like It Hot 1960s Boeing Boeing Support Your Local Sheriff 1970s The Jerk M A S H Silver Streak 1980s Airplane Beetlejuice Big The Blues Brothers Brewster's Millions Cannonball Run Dead Men Don't Wear Plaid Dirty Rotten Scoundrels Ferris Bueller's Day Off Ghostbusters The Man With Two Brains Planes, Trains & Automobiles; Police Academy Roxanne See No Evil, Hear No Evil Stir Crazy This Is Spinal Tap Throw Momma From The Train Tootsie Twins Uncle Buck When Harry Met Sally Who's Harry Crumb The Woman In Red 1990s to present 50 First Dates Ace Ventura Along Came Polly